tag:blogger.com,1999:blog-29934160307405053612024-03-05T19:21:54.705+02:00Lebanese Film Festival - Festival du Film LibanaisLFF2012LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.comBlogger52125tag:blogger.com,1999:blog-2993416030740505361.post-1923546824121288482012-11-18T16:38:00.003+02:002012-11-18T16:41:10.031+02:00<div dir="ltr" style="text-align: left;" trbidi="on">
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-11721079562312382302012-09-28T08:50:00.006+03:002012-09-28T08:50:54.180+03:00DOCmed 2013<h3 class="post-title entry-title" itemprop="name">
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<b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Submission deadline: December 3, 2012</span></b></div>
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<br /></div>
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producer or a director/producer</span></b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> from Algeria, Egypt, Jordan, Lebanon, Libya, Morocco, the Palestinian
occupied territories, Syria and Tunisia<b> and a holder of a documentary film
project</b> with the ambition of ensuring to your project the best conditions
for productions and/or co productions ? </span><span style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><a href="http://www.docmed.me/en/index.php?p=news&id=11"><span style="color: blue;">Subscribe</span></a> to DOCmed 2013.</span></div>
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More info: </span><span style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"><a href="http://euromedaudiovisuel.net/p.aspx?t=news&mid=21&cid=4&l=en&did=873"><span lang="EN-US" style="color: blue; mso-ansi-language: EN-US;">http://euromedaudiovisuel.net/p.aspx?t=news&mid=21&cid=4&l=en&did=873</span></a></span></div>
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<a href="http://euromedaudiovisuel.net/p.aspx?t=news&mid=21&cid=4&l=en&did=873"></a>LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-1426355014315459632012-09-28T08:50:00.002+03:002012-09-28T08:50:18.481+03:00Venice Biennale College<h3 class="post-title entry-title" itemprop="name">
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</h3>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://euromedaudiovisuel.net/Files/2012/09/14/1347627077973.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Director-producer teams, apply for the new Venice Biennale College!" border="0" src="http://euromedaudiovisuel.net/Files/2012/09/14/1347627077973.jpg" /></a></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 3;">
<b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 13.5pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Director-producer teams, apply for the new Venice Biennale College!</span></b></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 4;">
<b><span style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Submission
deadline: October 22</span></b></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 4;">
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information click <a href="http://euromedaudiovisuel.net/p.aspx?t=news&mid=21&cid=4&l=en&did=921" target="_blank"><span style="color: blue;">here</span></a></span></div>
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</h3>
LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-64830029225124501372012-09-28T08:49:00.004+03:002012-09-28T08:49:45.631+03:00Carthage Film Festival’s Producers' Network<h3 class="post-title entry-title" itemprop="name">
</h3>
<div class="post-header">
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://euromedaudiovisuel.net/Files/2012/09/04/1346761000382.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Take part in the Carthage Film Festival’s Producers' Network!" border="0" src="http://euromedaudiovisuel.net/Files/2012/09/04/1346761000382.jpg" /></a></div>
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<br />
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-81001832005736250032012-09-28T08:49:00.000+03:002012-09-28T08:49:01.647+03:00Berlinale co-production market<!--[if !mso]>
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deadline: October 24</span></b></div>
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<a href="http://euromedaudiovisuel.net/Files/2012/09/19/1348041517750.jpg"><br /></a><span style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<a href="http://euromedaudiovisuel.net/Files/2012/09/19/1348041517750.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Experienced producers, apply to the Berlinale co-production market!" border="0" src="http://euromedaudiovisuel.net/Files/2012/09/19/1348041517750.jpg" /></a><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Experienced producers from all over the world seeking international
co-production and financing partners are invited to submit new feature film
projects to the 10th Berlinale Co-Production Market. </span><span style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Approximately 20 projects will be selected.<br />
<br />
<br />
Click <a href="http://euromedaudiovisuel.net/p.aspx?t=news&mid=21&cid=4&l=en&did=928" target="_blank"><span style="color: blue;">here </span></a>for more information</span><span style="font-family: "Century Gothic","sans-serif";"></span></div>
LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-22186901744442370672012-09-28T08:48:00.001+03:002012-09-28T08:48:04.519+03:00The Jordan Film Fund<!--[if !mso]>
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<span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US; mso-bidi-font-size: 12.0pt;">The film’s
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the film in Europe. </span></div>
LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-61221134085252423792012-09-10T09:25:00.001+03:002012-09-24T17:05:47.015+03:00OPEN LETTER / LETTRE OUVERTE<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> OPEN LETTER TO LEBANESE CINEMA PROFESSIONALS<br />
<br />
A FEW PERSONNAL IDEAS. MY REACTION TO THE MEETING REGARDING FILM PRODUCTION IN
LEBANON, WHICH TOOK PLACE AT THE FRENCH INSTITUTE ON THE 6TH OF SEPTEMBER 2012.<br />
<br />
Dear film professionals, <br />
<br />
First of all, I would like to congratulate Pierre Sarraf and the French
Institute for this well organized and essential event.<br />
<br />
For those who don’t know me, let me introduce myself briefly: I’ve been working
on Lebanese films for ten years now, mostly as an assistant director, I
directed a short film Bukra sette w noss/ Tomorrow, 6:30, and I am actually
developing a feature film.<br />
<br />
What I am about to say is just my personal opinion, a few ideas from a fellow
film professional.<br />
<br />
I was amazed by the keen interest sparked off by this event and by the presence
of almost all the key players working in the very peculiar world of Lebanese
cinema. The event revealed a very important element: the professionals’
undeniable will to create a viable industry and to put an end to our sector’s
“poverty”.<br />
<br />
As Pierre Sarraf underlined it from the start, the number of films produced in
Lebanon is raising. The desire to make films as well. Today, there are new
players in the Lebanese cinema’s landscape, new tendencies, but mostly new
visions regarding cinema and the way to make it. For example, a strong will to
develop a popular and commercial cinema.<br />
<br />
I think this is very healthy. I also think Mr Bereyziat’s intervention was
extremely necessary, and his presentation of the CNC (France’s National Cinema
Center) simple but essential. Essential because many players of the Lebanese
film industry [including me] have very little information on how the European
film financing systems really works.<br />
<br />
Here are the few ideas I would like to share:<br />
<br />
1- <br />
A young director or screenwriter who has a project is often blocked early on in
the process because he seldom knows what to do with it. He doesn’t know on
which door to knock. First thing to do, of course, is to find someone who is
going to guide him through the process. But this is easier to said than done.<br />
On the other hand, a young talent who has an interesting project rarely has
enough information regarding the steps to follow to “start things up”. This
information needs to be accessible to everyone interested in cinema, and
centralized. A Lebanese CNC? Yes, sure, why not? But before even talking about
creating a Lebanese Fund for cinema, we should think about the way to create a
center that would gather information to which every Lebanese would have access.<br />
In short, there should be an alternative to the usual mouth to ear process (ie
some director hears that another got a writing development fund somewhere and
decides to have a go). It doesn’t cost much… it only requires will.<br />
<br />
Having participated two years ago in the Rawi-Sundance screenwriter’s lab in
Jordan, I realized how much the Jordanian Royal Film Commission was active and
efficient. In a country where the film industry is less developed than in
Lebanon, where there are less productions and where technicians aren’t (yet) as
experienced, the RFC has succeeded where Lebanese players haven’t: it managed
to canalize the energy and talents and to centralize the information linked to
cinema.<br />
I am also thinking about organizations such as Sundance in the USA, or
Raindance in London, that started – parallel to their exponentially popular
festivals – writing, directing and production workshops and created numerous
“matchmaking” platforms. This logic creates a priceless dynamic. It also builds,
on the long run, an industry…<br />
<br />
2- <br />
I realized something flagrant during Thursday’s meeting: the fact that no one
mentioned what I think is the major problem in Arab Cinema in general, and in
Lebanon in particular: screenwriting. The problem was mentioned vaguely a
couple of times, but should be, on a later stage, assiduously developed.<br />
Most of Lebanese filmmakers have a tendency to jump into the making of their
project before reaching a solid version of their script. <br />
Blaming international commissions, regional distributors and the Lebanese
government is unnecessary. It’s wasted energy. Learning to write a readable and
original script is, in my humble opinion, much more important. The reason why
most of the Lebanese (and foreign) projects fail is often linked to a fragile
script. If the Lebanese cinema world wants to win the bet of “producing in
Lebanon”, I think this factor should become a priority.<br />
Screenwriting should be taught much more seriously in Universities and real and
regular screenwriting workshops should be created. By the way, I salute the
Lebanese Cinema Fondation who created, not long ago, a screenwriting workshop.
I think the Fondation should be encouraged [and maybe even other organisms] to
push this project even further, but also inform young talents more efficiently
about the existence of these initiatives.<br />
I would also like to point out that in parallel to screenwriting, young talents
should know how to create a selling presentation file. Numerous people still
don’t know how to write a synopsis, a director statement or even a biography.<br />
<br />
3-<br />
I am personally tired of hearing the famous words “there is not money for
Lebanese Cinema” and “we struggle too much to make films”. I think that
filmmaking is a risky business, that everyone has to struggle to make it happen
and that everywhere in the world the risk is the same. I do not want to count
on the Lebanese State. The government is drowning enough in its own moving
sands for me to allow myself to waste time in useless hopes. Of course, I hope that
one day a National Fund would be created to develop the cinema industry, but I
would not bet on it. <br />
I think it would be judicious for the time being to develop matchmaking
platforms so Lebanese directors, screenwriters and producers could be put in
contact with international producers and “middlemen” who would help them in
elaborating the right strategy for their projects. Because, let’s face it, one
of the most recurrent problems of Lebanese projects is that they lack strategy,
which leads filmmakers to seek improbable private sponsors.<br />
<br />
4-<br />
I also felt a latent tension between two groups: a group which feels it belongs
to a “quality cinema”, that advocates the virtues of an European method and
defend “auteur films”, and another which consider itself belonging to the world
of mass entertainment, American style. The debate didn’t really have the time
to start, but I think a cold war has started, without anyone admitting it yet.
It’s a debate as old as cinema itself. It takes all kinds to make a world, and the
fact that viewers now have the choice between “auteur films” and a purely
commercial cinema is, in my opinion, very healthy. I think that, on the long
run, these two cinema visions should not make war but take into consideration
that they do not fight on the same grounds. Note, by the way, that there are
several degrees of possibilities between those two extremes and that there is a
way to make intelligent films that are accessible to a mass audience.<br />
<br />
5- <br />
Another thing that stroke me: the aggressiveness towards Lebanese cinema
owners. Several people criticized the fact that cinema owners don’t encourage
Lebanese Cinema. Local owners – alike international cinema owners in general –
think in terms of free market economy. They want to sell as much tickets as
possible. It’s normal. And I don’t think it is worth criticizing that attitude.
I do not wish to defend this vision in general, but I don’t think they are the
bad guys. I totally understand the logic that leads a cinema owner to
priorities Transformers 2 over a Lebanese film that, four times out of five, is
not likely to reach more than 20.000 entries, even if it’s kept in the theaters
for a whole year.<br />
I think Lebanese producers and directors should play the market’s game as the
international distributors and producers do, whether they are betting on a
“commercial film” or on an “auteur film”. Trying to deny the market reality is
useless. Players should know the market, know their target and play the game
accordingly. Producers of “auteur films” in Europe usually know that they can’t
really fight against an American blockbuster and that they can’t win the
competition in national multiplexes. However, they have alternatives,
independent theaters which promote this kind of cinema. I find that the
Metropolis theater plays that role beautifully in Lebanon. Maybe it is not
enough and maybe other alternative theaters should be created, I don’t know…
but I know it is useless to expect Planète, Empire and other circuits to play
the part of the promoters of Lebanese Cinema. This will simply not happen.<br />
<br />
It is an extremely vast subject. I just wanted to share with you these
thoughts.<br />
<br />
I wish you all good luck in all your projects.<br />
<br />
</span><span style="font-family: "Century Gothic","sans-serif";">Gilles Tarazi</span></span><br />
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";"> </span></span><span class="usercontent"><span style="font-family: "Century Gothic","sans-serif"; font-size: 11.0pt; font-weight: normal;">LETTRE OUVERTE AUX PROFESSIONNELS DU CINEMA LIBANAIS</span></span></div>
<h6 style="text-align: right;">
<span style="font-family: "Century Gothic","sans-serif"; font-size: 11.0pt; font-weight: normal;">
<br />
<span class="usercontent">QUELQUES IDEES PERSONNELLES, MA REACTION SUITE A LA
RENCONTRE AUTOUR DU THEME « PRODUIRE AU LIBAN ».</span><br />
<br />
<span class="usercontent">Cher professionnels du cinéma, </span><br />
<br />
<span class="usercontent">Je voudrais tout d’abord féliciter Pierre Sarraf et
l’Institut Français pour cette rencontre essentielle et très bien menée.</span><br />
<br />
<span class="usercontent">Pour ce qui ne me connaissent pas, je me présente
rapidement : Je travaille sur des films libanais depuis maintenant une dizaine
d’années, principalement en tant qu’assistant réalisateur. J’ai réalisé un
court-métrage, Bukra sette w noss/ Demain : 6h30, et je suis actuellement en
train de développer un projet de long-métrage. </span><br />
<br />
<span class="usercontent">Ce que je vais dire n’implique évidemment que moi. Ce
sont quelques idées de quelqu’un qui côtoie le cinéma libanais depuis quelque
temps et qui est régulièrement en contact avec différents acteurs de la scène
libanaise.</span><br />
<br />
<span class="usercontent">J’ai été assez marqué par l’engouement qu’a suscité cet
événement et par la présence de quasiment toutes les personnes-clés
travaillant, partiellement ou exclusivement, dans le monde très particulier du
cinéma libanais. Cet événement unique en son genre a démontré une chose très
importante : la volonté indéniable des professionnels du cinéma de créer une
réelle industrie viable. L’énergie et le désir sont là, clairement. Mais aussi
la volonté de les canaliser, de mettre un terme à la « pauvreté » liée à ce
secteur. </span><br />
<br />
<span class="usercontent">Une constatation s’impose. Comme Pierre Sarraf l’a bien
souligné au début de la rencontre, le nombre de films produits au Liban est en
train d’augmenter. L’envie de faire du cinéma aussi. Il y a aujourd’hui de
nouveaux « acteurs » dans le paysage cinématographique libanais, de nouvelles
tendances et surtout de nouvelles visions du cinéma et de la manière de le
développer. Une envie de développer un cinéma populaire et commercial, par
exemple, qui ne s’était jamais autant manifestée. Je trouve cela très sain. Je
trouve également très saine l’intervention de M. Bereyziat, sa présentation du
CNC, simple évidemment, mais essentielle. Essentielle, parce que de nombreux
acteurs du paysage audiovisuel libanais [j’en fais partie] ignorent le
fonctionnement réel des systèmes de financement européens ou ne le connaissent
que très peu. </span><br />
<br />
<span class="usercontent">Voici les quelques idées que je voudrais partager :</span><br />
<br />
<span class="usercontent">1- </span><br />
<span class="usercontent">Un jeune réalisateur ou scénariste libanais, porteur
d’un projet est souvent arrêté au tout début de son élan parce qu’il ne sait
pas quoi en faire. Il ne sait pas à quelle porte frapper. La première chose à
faire est, évidemment, de trouver un accompagnateur, quelqu’un qui va encadrer
le projet, quelqu’un qui va le guider. Mais cela est plus vite dit que fait. </span><br />
<span class="usercontent">D’autre part, un jeune porteur de projet n’a souvent
pas d’informations concernant les démarches à suivre pour faire démarrer
celui-ci. Il faudrait que ces informations soient accessibles, à tous ceux qui
ont envie de cinéma, et centralisées. Un CNC libanais actif, oui évidemment,
pourquoi pas, mais avant de parler d’un fonds d’aide libanais il faudrait
peut-être penser à un centre de gestion des informations liées au cinéma
auxquels tous les libanais auraient accès. En gros, qu’il y ait une alternative
au bouche à oreille (par exemple, tel réalisateur entend parler d’une bourse à
l’écriture que tel autre a obtenue et décide du coup de tenter sa chance à son
tour…). Cela ne coûte pas si cher que ça… cela nécessite une volonté.</span><br />
<span class="usercontent">Ayant participé, il y a 2 ans, à l’atelier d’écriture
Rawi-Sundance en Jordanie, j’ai constaté à quel point la Royal Film Commission
était active et efficace. Dans un pays où l’industrie est moins développée
qu’au Liban, où les productions sont beaucoup moins nombreuses, où les
techniciens ne sont pas encore aussi compétents, la RFC a réussi quelque chose
que les Libanais n’ont jamais réussi : canaliser cette énergie et centraliser
les informations.</span><br />
<span class="usercontent">Je pense aussi à des organismes comme Sundance aux Etats-Unis,
ou Raindance à Londres, qui ont lancé en parallèle de leurs festivals
exponentiellement populaires, des ateliers parallèles d’écriture, de
réalisation et de production, ainsi que de nombreuses plateformes de
rencontres. Cela créer une dynamique inestimable. Cela crée aussi, à long
terme, une industrie… </span><br />
<br />
<span class="usercontent">2- </span><br />
<span class="usercontent">J’ai constaté une chose flagrante au cours de cette
rencontre : le fait que personne n’ait parlé du problème de base du cinéma
arabe, en général, et libanais, en particulier : l’écriture de scénario. Le
problème a été vaguement évoqué à deux reprises, mais il faudrait qu’en un
deuxième temps, il soit développé assidument. </span><br />
<span class="usercontent">La plupart des porteurs de projet ont tendance à se
jeter dans la concrétisation de leur film avant que celui-ci ne soit prêt. </span><br />
<span class="usercontent">Blâmer les guichets internationaux, distributeurs
régionaux et gouvernement libanais n’est, à mon sens, pas nécessaire. C’est de
l’énergie gaspillée. Apprendre à écrire un scénario lisible et réellement
original est, à mon humble avis, plus important. La raison principale de
l’échec des projets, au Liban comme ailleurs, est souvent liée à un scénario
fragile. Si le monde du cinéma libanais veut réussir le pari de « produire au
Liban », je crois qu’il faudrait que cette donnée devienne une priorité. Il
faut enseigner l’écriture de scénario beaucoup plus sérieusement dans les
universités et créer de véritables ateliers d´écriture réguliers, de suivi de
projets. Je salue au passage l’initiative de la Fondation Liban Cinéma qui a
lancé, il y a peu, un atelier d’écriture. Je trouve qu’il faudrait encourager
la Fondation [et même peut-être d’autres organismes] à aller encore plus loin
dans cette démarche. Et surtout informer les jeunes talents de l’existence de
ce genre d’initiatives plus efficacement. </span><br />
<span class="usercontent">Cela dit au passage, il ne s’agit pas uniquement de
savoir écrire un scénario, mais de savoir présenter un dossier. Et nombreux
sont ceux qui ne savent pas vraiment écrire un synopsis, une note d’intention
ou une biographie, bref constituer un dossier vendeur.</span><br />
<br />
<span class="usercontent">3-</span><br />
<span class="usercontent">Je suis personnellement las d’entendre les fameuses
ritournelles « il n’y a pas d’argent pour le cinéma libanais », et « on galère
trop pour faire des films ». Je pars du principe que le cinéma est un métier
risqué, qu’il faut se battre pour y arriver et que partout dans le monde le
risque est pareil. Je ne compte pas sur l’Etat Libanais. Celui est suffisamment
embourbé dans ses propres sables mouvants pour que je me permette de perdre du
temps à espérer. Evidemment j’espère qu’un jour sera créé un fonds libanais
d’aide au cinéma. Mais je ne veux pas miser là-dessus.</span><br />
<span class="usercontent">Je crois qu’il serait peut-être judicieux, en
attendant, de développer des plateformes de rencontres, afin que des
réalisateurs, des scénaristes et des producteurs libanais puissent être mis en
réseau avec des producteurs ou des intermédiaires, qui pourront les aider à
établir la stratégie nécessaire à l’aboutissement de leur projet. Car je crois
que l’un des problèmes récurrents de la majeure partie des porteurs de projets
libanais, c’est qu’ils n’ont pas de stratégie et, le constatant, se mettent à
chercher des mécènes improbables. </span><br />
<br />
<span class="usercontent">4-</span><br />
<span class="usercontent">J’ai aussi senti une tension latente entre deux groupes
: le groupe qui se sent appartenir au cinéma dit « de qualité », prônant une
méthode à l’européenne, défendant un cinéma personnel voir « d’auteur », et
l’autre qui se proclame de « l’entertainment », du show business à
l’américaine. Le débat n’a pas eu le temps d’avoir lieu, mais je crois qu’une
guerre froide a commencé sans que personne n’ose encore se l’avouer. C’est un
débat vieux comme le cinéma lui-même, mais c’est un débat positif. Il faut de
tout pour faire une industrie, et le fait que les spectateurs ont à présent le
choix entre « films d’auteurs » et un cinéma purement commercial est une donnée
très saine. Je trouve qu’à long terme ces deux cinémas ne devraient pas se
faire la guerre par conférence interposée mais prendre conscience du fait
qu’ils ne se battent vraiment pas sur le même terrain. Noter au passage qu’il y
a plusieurs degrés entre les deux extrêmes et qu’il est possible de faire du
cinéma de qualité accessible au grand public et éventuellement rentable</span><br />
<br />
<span class="usercontent">5- </span><br />
<span class="usercontent">Encore une chose qui m’a marquée. L’agressivité
vis-à-vis des exploitants libanais en général. Le fait qu’on leur reproche de
ne pas encourager le cinéma libanais. Les exploitants locaux – comme les
exploitants internationaux en général – réfléchissent par rapport à la loi du
marché. Ils veulent faire le plus d’entrées possibles. C’est normal. Et je
trouve que ça ne sert à rien de le leur reprocher. Je ne les défends pas. Mais
je ne crois pas qu’ils soient de « méchants rapaces » comme plusieurs l’ont
laissé entendre. Je comprends parfaitement la logique qui pousse un exploitant
à favoriser Transformers 2 aux dépends d’un film libanais x qui, quatre fois
sur cinq, ne risque pas de faire plus de 20.000 entrées, et cela même si on le
garde en salle pendant un an. </span><br />
<span class="usercontent">Je crois que les producteurs et réalisateurs libanais
devraient jouer le jeu du marché, comme le font les distributeurs et
producteurs internationaux, qu’ils soient des porteurs de projets « commerciaux
» ou « d’auteurs ». Essayer de se battre contre la réalité ne sert à rien. Il
faut connaître le marché, connaître sa cible et jouer le jeu en fonction. Un
producteur de « films d’auteurs » européen sait normalement d’entrée de jeu
qu’il ne peut se battre sur le même créneau qu’un blockbuster américain et
qu’il ne peut espérer concurrencer ce dernier dans les multiplexes nationaux.
Par contre, il a des alternatives, des salles dites indépendantes qui défendent
ce genre de cinéma. Je trouve que la salle Metropolis joue parfaitement bien ce
rôle au Liban. Peut-être n’est-elle pas suffisante et qu’il faudrait en créer
d’autres, je ne sais pas. Mais je sais que ça ne sert à rien d’espérer que les
circuits Planète, Empire et autres jouent le jeu du protecteur du cinéma
libanais. Ça ne se passera jamais.</span><br />
<br />
<span class="usercontent">Le sujet est très vaste. Je voulais simplement partager
ces quelques idées.</span><br />
<br />
<span class="usercontent">Très bon courage à tous dans vos projets.</span><br />
<br />
<span class="usercontent">Gilles Tarazi</span></span></h6>
</div>
LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-11743320388394226662012-09-10T09:18:00.003+03:002012-09-10T09:18:54.918+03:00PRODUIRE AU LIBAN, LEBANESE PRODUCER ROUND TABLE, Sept 6th 2012 at INSTITU FRANCAIS<div dir="ltr" style="text-align: left;" trbidi="on">
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-77010303746373509312012-09-06T23:58:00.005+03:002012-09-28T12:31:01.029+03:00To be continued<div dir="ltr" style="text-align: left;" trbidi="on">
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-61022921364771518282012-08-27T08:04:00.003+03:002012-08-27T08:04:46.878+03:00Palmarès <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><b><span style="font-family: "Century Gothic","sans-serif";">Palmarès du Festival du Film Libanais 2012</span></b></span><span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-size: small;">Les Prix</span></span></b><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Prix de la Meilleure Fiction décerné par L’OIF,
L’Organisation Internationale de la Francophonie : 6500 dollars </span></b><span style="font-family: "Century Gothic","sans-serif";"></span></span></div>
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";"> <span> </span><span> </span>« 19 Février »
réalisé par Tamara Stepanyan</span></span></div>
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<br /></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Mention spéciale </span></b><span style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";"> <span> </span> Alain
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<br /></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Prix du Meilleur Documentaire décerné par
Unesco-Liban, 3000 dollars </span></b><span style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";"> « Aftermath » réalisé par Wissam Tanios</span></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Mention spéciale </span></b><span style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> Amanda Homsi-Ottoson pour « Jasad and
the queen of contradictions » </span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Prix du meilleur Premier film, Total Liban, 1000
dollars</span></b><span style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Exæquo : Nagham
Abboud « Behind the window »</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">
</span><span style="font-family: "Century Gothic","sans-serif";">Pascale Abou
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-53800181781648020372012-08-26T09:34:00.001+03:002012-08-26T09:34:18.301+03:00Soiree de clôture<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; font-family: Verdana,sans-serif; text-align: center;">
<span style="font-size: large;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOxq0W-FAx1DLR7hqPlQqYbYO3IbwJalTZSTP8IC4uMmlZcbmUCiaS8SoPfuybazjEWf8wOTTfADvQzl9i-D1rxZuFYFlooOQOXWXCZ_WQNC745ibwr908wvg4moGe1P-FyZb_YkND9bs/s1600/Flyer+LFF+5+Final.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOxq0W-FAx1DLR7hqPlQqYbYO3IbwJalTZSTP8IC4uMmlZcbmUCiaS8SoPfuybazjEWf8wOTTfADvQzl9i-D1rxZuFYFlooOQOXWXCZ_WQNC745ibwr908wvg4moGe1P-FyZb_YkND9bs/s400/Flyer+LFF+5+Final.jpg" width="400" /><br /></a></b></span></div>
<div style="text-align: center;">
<span style="font-size: large;"><b style="font-family: Verdana,sans-serif;"><span itemprop="description">"Beirut Hotel" Live Soundtrack </span><br /><span itemprop="description"> by Zeid Hamdan et Marc Codsi ( co-composer of the Soundtrack) </span><br /><span itemprop="description"> Maii (vocals) & musicians</span><br /><span itemprop="description"> </span><br /><span itemprop="description"> SPECIAL GUEST : Ibrahim Maalouf </span><br /><span itemprop="description"> </span><br /><span itemprop="description"> followed by a DJset of JADE</span><br /><span itemprop="description"> </span><br /><span itemprop="description"> 20$ including 1 drink</span></b></span><br /><span itemprop="description"> </span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOxq0W-FAx1DLR7hqPlQqYbYO3IbwJalTZSTP8IC4uMmlZcbmUCiaS8SoPfuybazjEWf8wOTTfADvQzl9i-D1rxZuFYFlooOQOXWXCZ_WQNC745ibwr908wvg4moGe1P-FyZb_YkND9bs/s1600/Flyer+LFF+5+Final.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div>
<br /></div>
LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-85637877186812322312012-08-23T06:51:00.001+03:002012-08-23T06:51:07.430+03:00DAILY STAR: "Lebanese Film Festival rides again"<div dir="ltr" style="text-align: left;" trbidi="on">
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<span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">August 22, 2012 </span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">by </span><span style="color: black; font-family: "Century Gothic","sans-serif"; font-size: 12pt;">Jim Quilty</span><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">BEIRUT: About a year ago,
Pierre Sarraf and his colleagues at Né a Beyrouth decided it was time to put
down the Lebanese Film Festival. Everyone has the privilege to change their
minds.</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">The production company had
good reasons to discontinue the festival, then on the brink of its tenth
edition. In 2011, Sarraf told this journalist, the shape of the film festival
landscape in Lebanon and the Middle East had changed a great deal since LFF was
launched in 2001 (under the name “Né a Beyrouth”). With the number of festivals
competing for Lebanese film premieres swelling, it was becoming ever harder to
find new films for LFF.</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Sarraf envisioned a new
formula. Rather than devoting so much energy to a once-a-year festival, he and
his colleagues imagined smaller events tailored to individual films.</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Then this spring Metropolis,
Beirut’s independent art house cinema, launched “Scrapbook,” a program that
gave a bundle of recent critically acclaimed feature-length films Beirut
premieres followed by theatrical release.</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">“When I saw that Metropolis
had started” Scrapbook, Sarraf recalls. “I said, fine, let’s keep the festival
and try to coordinate [with the cinema in] releasing films in this way.”</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="color: black; font-family: "Century Gothic","sans-serif";"><br />
<b>Read more: </b></span><b><span style="color: black; font-family: "Century Gothic","sans-serif";"><a href="http://www.dailystar.com.lb/Culture/Film/2012/Aug-22/185292-lebanese-film-festival-rides-again.ashx#ixzz24KzPwit1"><span lang="EN-US" style="color: #003399;">http://www.dailystar.com.lb/Culture/Film/2012/Aug-22/185292-lebanese-film-festival-rides-again.ashx#ixzz24KzPwit1</span></a></span></b><span style="color: black; font-family: "Century Gothic","sans-serif";"> <span lang="EN-US"></span></span></span></div>
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-31573588190882142972012-08-23T06:00:00.000+03:002012-08-23T06:51:55.869+03:00GENERAL INFO<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;">[FR]</span></b></div>
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<br /></div>
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<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;">Festival du cinéma libanais du 23 au
26 Aout </span></div>
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<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><b>Entrée 1 journée </b> = 10 000 L.L<br />
<b>Pass Festival (4jours)</b> = 30 000 L.L (20$)<br />
</span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><b>Horaires en français <a href="http://lff2012.org/program/pr_en.jpg" target="_blank">http://lff2012.org/program/pr_en.jpg</a></b><br />
Catalogue du festival avec toutes les infos sur les films disponible à Empire
Sofil Cinema à partir de jeudi</span><br />
<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><b><br />Majorité des films sont en VO sous-titré anglais (voir catalogue pr détails) </b></span></div>
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<b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US;">[ENG</span></b><b><span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;">]</span></b></div>
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<span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US;">Lebanese
Film Festival 23th to 26th of August</span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US;"><b>1 Full
day pass </b>= 10 000 L.L</span></div>
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<span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US;"><b>Festival
Pass (4 days)</b> = 30 000 L.L (20$)</span></div>
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<span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US;"><br />
<b>Download the schedule in eng </b></span><b><span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><a href="http://lff2012.org/program/pr_en.jpg" target="_blank"><span lang="EN-US" style="mso-ansi-language: EN-US;">http://lff2012.org/program/pr_en.jpg</span></a></span></b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US;"><br />
Program with full descriptions available at the festival starting from Thursday</span><br />
<br />
<b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt; mso-ansi-language: EN-US;">Most films are in original version with English subtitles (see catalog for details)</span></b></div>
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<b><span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;">METROPOLIS EMPIRE SOFIL<br />
</span></b><span class="fbprofilebylinelabel"><span itemprop="address" itemscope="itemscope" itemtype="http://data-vocabulary.org/Address"><span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;">Michel Butros - Ashrafieh - Sofil
Center , Beyrouth</span> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicDZvUz0d3TT43mYlBOCsxWogJLubYsjWlh6qSGx0j9PXObJt0hDNSE1hlWgmxE0C8F58UPS0JCFYvb0pV_7jDOuA5vu4-gidIHlU748wZ-cpJkAKK8QpZD4skd048JfN37BR0q6QqF9M/s1600/metropo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="297" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicDZvUz0d3TT43mYlBOCsxWogJLubYsjWlh6qSGx0j9PXObJt0hDNSE1hlWgmxE0C8F58UPS0JCFYvb0pV_7jDOuA5vu4-gidIHlU748wZ-cpJkAKK8QpZD4skd048JfN37BR0q6QqF9M/s400/metropo.jpg" width="400" /></a></div>
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<span style="mso-no-proof: yes;"><br /></span><span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"></span></div>
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<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><br /><br /><br /><br />
<span class="fbprofilebylinelabel"></span><b></b></span><br />
<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><b><br /></b></span>
<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><b></b></span><br />
<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><b><br /><br /> </b></span><br />
<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"><b>ART LOUNGE </b></span></div>
<div style="margin-bottom: .0001pt; margin: 0cm;">
<span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;">Karantina, River Bridge / Pierre
Gemayel Str. – Beirut</span></div>
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</span></b><span style="mso-no-proof: yes;"></span><b><span style="font-family: "Century Gothic","sans-serif"; font-size: 10.0pt;"></span></b></div>
<img border="0" height="337" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipFpARc-L7x79eWG4vYQmuQBG6qMIcJ-dr2keul9HlrA6lw53GIHwfkbJElVRkhVK2NaRoobTftSyvlMnae7hQo-V6I4hmRznM-_tQpesazib8eJL3ShnJ4GRUgraG6fcEP2ZCgAvGOCY/s400/artlounge.JPG" width="400" /><br />
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C<b>ONTACT</b></div>
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<b><a href="http://lff2012.org/index.php/contact#cienm_1"><span style="color: windowtext; text-decoration: none; text-underline: none;">For General
inquiries/Pour des renseignements d’ordre général:</span></a></b></div>
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Carol Mezher<br />
#: +961 70 05 00 22<br />
@: <a href="mailto:%20%3Cscript%20type=%27text/javascript%27%3E%20%3C%21--%20var%20prefix%20=%20%27ma%27%20+%20%27il%27%20+%20%27to%27;%20var%20path%20=%20%27hr%27%20+%20%27ef%27%20+%20%27=%27;%20var%20addy94415%20=%20%27lebanesefilmfestival%27%20+%20%27@%27;%20addy94415%20=%20addy94415%20+%20%27gmail%27%20+%20%27.%27%20+%20%27com%27;%20document.write%28%27%3Ca%20%27%20+%20path%20+%20%27%5C%27%27%20+%20prefix%20+%20%27:%27%20+%20addy94415%20+%20%27%5C%27%3E%27%29;%20document.write%28addy94415%29;%20document.write%28%27%3C%5C/a%3E%27%29;%20//--%3E%5Cn%20%3C/script%3E%3Cscript%20type=%27text/javascript%27%3E%20%3C%21--%20document.write%28%27%3Cspan%20style=%5C%27display:%20none;%5C%27%3E%27%29;%20//--%3E%20%3C/script%3EThis%20email%20address%20is%20being%20protected%20from%20spambots.%20You%20need%20JavaScript%20enabled%20to%20view%20it.%20%3Cscript%20type=%27text/javascript%27%3E%20%3C%21--%20document.write%28%27%3C/%27%29;%20document.write%28%27span%3E%27%29;%20//--%3E%20%3C/script%3E"><span style="color: windowtext; text-decoration: none; text-underline: none;"> </span></a><a href="mailto:lebanesefilmfestival@gmail.com"><span style="color: windowtext; text-decoration: none; text-underline: none;">lebanesefilmfestival@gmail.com</span></a></div>
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<b><a href="http://lff2012.org/index.php/contact#cienm_2"><span style="color: windowtext; text-decoration: none; text-underline: none;">For Press
inquiries/Pour la presse:</span></a></b></div>
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Rita Bassil</div>
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@: <a href="mailto:%20%3Cscript%20type=%27text/javascript%27%3E%20%3C%21--%20var%20prefix%20=%20%27ma%27%20+%20%27il%27%20+%20%27to%27;%20var%20path%20=%20%27hr%27%20+%20%27ef%27%20+%20%27=%27;%20var%20addy88995%20=%20%27ritabassil%27%20+%20%27@%27;%20addy88995%20=%20addy88995%20+%20%27gmail%27%20+%20%27.%27%20+%20%27com%27;%20document.write%28%27%3Ca%20%27%20+%20path%20+%20%27%5C%27%27%20+%20prefix%20+%20%27:%27%20+%20addy88995%20+%20%27%5C%27%3E%27%29;%20document.write%28addy88995%29;%20document.write%28%27%3C%5C/a%3E%27%29;%20//--%3E%5Cn%20%3C/script%3E%3Cscript%20type=%27text/javascript%27%3E%20%3C%21--%20document.write%28%27%3Cspan%20style=%5C%27display:%20none;%5C%27%3E%27%29;%20//--%3E%20%3C/script%3EThis%20email%20address%20is%20being%20protected%20from%20spambots.%20You%20need%20JavaScript%20enabled%20to%20view%20it.%20%3Cscript%20type=%27text/javascript%27%3E%20%3C%21--%20document.write%28%27%3C/%27%29;%20document.write%28%27span%3E%27%29;%20//--%3E%20%3C/script%3E"><span style="color: windowtext; text-decoration: none; text-underline: none;"> </span></a><a href="mailto:ritabassil@gmail.com"><span style="color: windowtext; text-decoration: none; text-underline: none;">ritabassil@gmail.com</span></a></div>
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<br /></div>
LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-22826144015601103312012-08-20T08:38:00.000+03:002012-08-20T08:38:01.142+03:00LFF2012 - Interview de Jihane Chouaib<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">SELECTION- “Pays rêvé"<br />
Documentaire (voir article ci-dessous</span></b><a href="http://lebanesefilmfestival.blogspot.com/2012/08/lff-2012-competition-partie-44.html"><b> </b>LFF 2012 - COMPÉTITION (Partie 4/4)</a><b><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;"> )</span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhciQj3HPwXW-P28e-66SQ7fjnG1dy1HK5R4YefG_kzvT5lN_htGjBZPDy3n9w98yXajpCVlu6nbFS0xI9TGd7QTVuuRjlluzbLg5jUbRAdNrPl96C1VqRrjbosTG_hEHs2zyBFYiFD7fM/s1600/Jihane+Chouaib+NB.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhciQj3HPwXW-P28e-66SQ7fjnG1dy1HK5R4YefG_kzvT5lN_htGjBZPDy3n9w98yXajpCVlu6nbFS0xI9TGd7QTVuuRjlluzbLg5jUbRAdNrPl96C1VqRrjbosTG_hEHs2zyBFYiFD7fM/s320/Jihane+Chouaib+NB.jpg" width="320" /></a><span style="font-size: small;"><b><span style="color: black; font-family: "Century Gothic","sans-serif";">T</span></b></span><span style="font-size: small;"><b><span style="color: black; font-family: "Century Gothic","sans-serif";">on film commence avec l’arrivée au Liban, l’atterrissage, le carton de
demande de visa à remplir. Décris-nous un peu l’état d’esprit dans lequel tu te
trouves à ce moment-là.</span></b></span></div>
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<span style="font-size: small;"><span style="color: black; font-family: "Century Gothic","sans-serif";">C'est un sentiment très contradictoire,
paradoxal. L'impression de rentrer chez soi, et en même temps l'impression
d'être étrangère. Invariablement, le douanier raye « libanaise » et
souligne « française ». Pourtant, au fond de moi, il y a un lieu que
j'appelle « Liban, mon pays ». Qu'est-ce qui constitue mon
identité ? La nationalité de mon passeport, ou celle de mon paysage
intérieur, mon pays rêvé ? Et qu'est-ce qu'une identité qui ne se fonde
pas sur la terre, la religion, ou même la langue ? Est-ce qu'elle peut se
revendiquer ? Est-ce qu'elle peut se partager ?<br />Le film commence donc comme une quête identitaire.
Comment rentrer « chez soi », quand tout a changé, quand on a passé
toute sa vie ailleurs... ? On pourrait dire que c'est impossible,
impossible d'effacer la guerre, l'exil, le mélange, les années passées à parler
– et même penser – dans une autre langue. Et pourtant, moi comme les personnes
que j'emmène dans l'aventure du film, nous continuons à nous dire <i>aussi</i>
Libanais. J'ai donc l'intuition qu'il y a quelque chose à repenser dans la
notion d'identité, une nécessité contemporaine d'y intégrer plus d'ambiguité,
et plus de liberté. En tous cas, « se trouver », d'un point de vue
identitaire, dans un monde où les mouvements de populations sont si fréquents,
ce ne peut absolument pas être se coller un drapeau sur le front. Le Liban dont
je parle dans le film est un pays intérieur, imaginaire – on pourrait dire les
Libans, les Libans individuels... !</span></span></div>
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<span style="font-size: small;"><span style="color: black; font-family: "Century Gothic","sans-serif";"> </span></span>
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<span style="font-size: small;"><b><span style="color: black; font-family: "Century Gothic","sans-serif";">Qu’aimerais-tu
faire ressentir ou faire comprendre au spectateur ?</span></b></span></div>
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<span style="font-size: small;"><span style="color: black; font-family: "Century Gothic","sans-serif";">Mais Pays rêvé n'est pas un film sur le Liban. Notre
exil, c'est l'exil de tout être humain qui est obligé d'abandonner le monde de
son enfance, même lorsqu'il reste au même endroit. On est tous obligés
d'abandonner cette part de nous-mêmes, pour grandir, ou simplement pour
survivre. Et en même temps, ce monde imaginaire est à nous, il nous fonde, nous
nourrit, nous avons le droit de le revendiquer. L'explorer, le travailler,
jouer avec, même, le réinventer - ça apporte une forme de liberté.</span></span></div>
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<span style="font-size: small;"><span style="color: black; font-family: "Century Gothic","sans-serif";">Comme personne, j'aimerais que ce film questionne
le rapport de ceux qui le verront à leur propre identité, à leur propre pays
rêvé.Comme réalisatrice, j'aimerais que ce film soit vécu comme un voyage
intérieur et permette de toucher une sensation particulière, entre douceur et
massacre.</span></span></div>
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<span style="font-size: small;"><b><span style="color: black; font-family: "Century Gothic","sans-serif";">Dans ton documentaire </span></b><b><span style="font-family: "Century Gothic","sans-serif";">Wajdi Mouawad confie </span></b><b><span style="font-family: "Century Gothic","sans-serif";">:</span></b><b><i><span style="font-family: "Century Gothic","sans-serif";">
« Je veux savoir par quoi j’ai été plié pour pouvoir le déplier. J</span></i></b><b><i><span style="font-family: "Century Gothic","sans-serif";">’ai besoin de savoir comment cette société a éduqué ses enfants</span></i></b><b><i><span style="font-family: "Century Gothic","sans-serif";">, comment moi
j</span></i></b><b><i><span style="font-family: "Century Gothic","sans-serif";">’ai été éduqué, de quoi on m’a convaincu pour pouvoir
m’en déconvaincre… ».</span></i></b><span style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<span style="font-size: small;"><b><i><span style="font-family: "Century Gothic","sans-serif";">Toi, as-tu
besoin de te « déconvaincre» ? </span></i></b><b><span style="font-family: "Century Gothic","sans-serif";">Quelle éducation t-a été transmise ?</span></b><span style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">J'ai moins ressenti le besoin de me dé-convaincre, peut-être parce que
mon éducation était déjà très mêlée, mixée, hétéroclite. Ma mère est d'origine
Syrienne, mon père Libanais du Sénégal, et ils n'avaient (ils n'ont) ni l'un ni
l'autre d'esprit </span></span><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">« communautaire ». De plus, j'ai quitté le Liban
plus jeune que Wajdi, et je n'ai pas tellement fréquenté ensuite les
« communautés » libanaises à l'étranger. Mon héritage libanais est
donc plus confus, plus sensitif, moins organisé.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDxT6f_2bqz92oetPpo6kQea2PJ1bx1A-oP7FnWV6wEoWGl78L9ILL10CCIsJD0p9I72RiMhH2nVaEC1ikciuOuf5t4OW4rHawInQToKBNxXieZlaFz_I0ChGA4X-CZbTyCR7n_wt4GDk/s1600/402570_124827934304262_311154891_n.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDxT6f_2bqz92oetPpo6kQea2PJ1bx1A-oP7FnWV6wEoWGl78L9ILL10CCIsJD0p9I72RiMhH2nVaEC1ikciuOuf5t4OW4rHawInQToKBNxXieZlaFz_I0ChGA4X-CZbTyCR7n_wt4GDk/s320/402570_124827934304262_311154891_n.jpg" width="320" /></a><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">Dans mon rapport enfantin à la politique, il y a un jeu qui amusait
beaucoup les cousins de mon père, il s'agissait de prononcer le nom de Golda
Meir d'une manière particulière pour me faire pleurer et prouver ainsi que même
un bébé comprend les méfaits du sionisme. Mais il y a surtout la certitude des
enfants mexicains des années 80 : c'était bien Ronald Reagan qui se
cachait sous le masque de Dark Vador...</span></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Tu fais partie des Libanais(e)s qui sont à la recherche de leurs
identité, dans une démarche de retour vers le pays natal ou d’origine,
mais bon nombre d’entre vous cherchent encore à quitter le pays. Que penses tu
de cette démarche ? </span></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">Je la comprends tout à fait. Je crois que
l'identité libanaise elle-même contient l'exil, en quelque sorte, l'exil en
fait partie. Par ailleurs, ce que je cherche dans le film c'est un pays
intérieur, mémoriel, rêvé, imaginaire. Ce pays-là, on peut l'emmener partout où
l'on va.</span></span></div>
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<span style="font-size: small;"><b><span style="color: black; font-family: "Century Gothic","sans-serif";">Ton film a été présenté au World Film Festival à Montréal et à la Mostra
Sao Paulo au Brésil où la communauté d’expatriés libanais est très grande.
Quelles ont été leurs réactions face à ton film ?</span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz6JOGqy6q2mWnOutIkea7fp82qT0UTavUrSjl3QiddRm20ew86-sOtthXHQ47Jvmod6YH7UMfG4tHSxyxXxX0nhaFuwq697nDVO5bfgtk4y8sknNeQgNf1et29vO0L2nHaqg97iSGyP8/s1600/Sans+titre.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgz6JOGqy6q2mWnOutIkea7fp82qT0UTavUrSjl3QiddRm20ew86-sOtthXHQ47Jvmod6YH7UMfG4tHSxyxXxX0nhaFuwq697nDVO5bfgtk4y8sknNeQgNf1et29vO0L2nHaqg97iSGyP8/s320/Sans+titre.jpg" width="320" /></a><span style="font-size: small;"><span style="color: black; font-family: "Century Gothic","sans-serif";">Des retours souvent émus, et émouvants. Des
spectateurs qui se reconnaissaient, et qui étaient assez bouleversés de se
replonger dans cette question-là, qu'ils n'ont pas tellement l'habitude
d'exprimer, de partager. Il y a quelque chose de très sincère dans les paroles
des personnages du film, presque comme s'ils pensaient à voix haute, comme si
l'on entrait à l'intérieur de leur tête. Du coup, un rapport très intime se
crée avec certains spectateurs, qui en quelque sorte se mettent à dialoguer, à
partager leur imaginaire avec celui du film. Mais ces réactions ne sont pas
réservées aux expatriés. Le sentiment de perte et d'exil se partage bien
au-delà.</span></span></div>
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<span style="font-size: small;"><b><span style="color: black; font-family: "Century Gothic","sans-serif";">Où en es-tu avec ton premier long métrage de fiction
« Breathe » ? (Qui d’ailleurs explore la même thématique de la
quête de l’identité) ? </span></b></span></div>
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<span style="font-size: small;"><span style="color: black; font-family: "Century Gothic","sans-serif";">Le projet s'appelle Mon souffle, en France, et dans ma tête il s'appelle
Rouhi. Il s'agit de frère et sœur, d'Antigone et d'un jardin, d'une maison en
ruine et du goût des figues... J'espère le tourner dans un an, au<b> </b>Liban.
</span></span></div>
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<span style="font-size: small;"><span style="color: black; font-family: "Century Gothic","sans-serif";">Par ailleurs, j</span><span style="font-family: "Century Gothic","sans-serif";">'ai envie de mettre en scène
de la danse, c'est l'art vivant qui m'excite le plus, mais ce n'est pas pour
maintenant...</span></span></div>
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<span style="font-size: small;"><span class="hps"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Aout 2012</span></span><br /><span class="hps"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></span>
<span class="hps"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></span><span class="hps"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Interview réalisé par Lucile Gasber</span></span></span></div>
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-5212444468273741072012-08-17T12:59:00.001+03:002012-08-17T12:59:11.081+03:00LFF 2012 - COMPÉTITION (Partie 4/4)
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">J-6 </span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Ultimes
révélations sur la sélection 2012 </span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw2tXkDJgtjtE4kLkeRxtinOFjkI2isZeNhAB2rGkbS_p37uU7n71w8iTesclAdReZdepNEDOtcWElQWNu0jOpTbibD-sDLqeAgxjTV4aauhRxKmfTuVB0jI21mSzxK07EE0ciWJK2H5Y/s1600/BA'ADANA+2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="172" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw2tXkDJgtjtE4kLkeRxtinOFjkI2isZeNhAB2rGkbS_p37uU7n71w8iTesclAdReZdepNEDOtcWElQWNu0jOpTbibD-sDLqeAgxjTV4aauhRxKmfTuVB0jI21mSzxK07EE0ciWJK2H5Y/s320/BA'ADANA+2.jpg" width="320" /></a></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Ba'adana d’ARIDA
ROY</span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Fiction<br />
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</span><span style="font-family: "Century Gothic","sans-serif";">Liban. Été 2010. Le soleil frappe. La guerre
rôde. Zeina et Toufic sont ensemble depuis plusieurs années ; mais Toufic
s’apprête à quitter le pays.</span><b><span style="font-family: "Century Gothic","sans-serif";"></span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Pays rêvé de CHOUAIB
JIHANE</span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Documentaire</span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtVSXySu1_FkX1ZfrUhyphenhyphenj3NZFZqP6ti__BpXFs1UQpBBuc63ivHPkl0AL2X0Sd7QEaP8OI4DXP0pQdjQF1NEpTJfL412UsWx9KS9cz3UU_F1jopUTw19DOtGF7yN-Uo7tR2EhpxuZbBVA/s1600/375190_115300558590333_1299006892_n.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtVSXySu1_FkX1ZfrUhyphenhyphenj3NZFZqP6ti__BpXFs1UQpBBuc63ivHPkl0AL2X0Sd7QEaP8OI4DXP0pQdjQF1NEpTJfL412UsWx9KS9cz3UU_F1jopUTw19DOtGF7yN-Uo7tR2EhpxuZbBVA/s320/375190_115300558590333_1299006892_n.jpg" width="320" /></a></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Dans le Liban d’aujourd’hui, en compagnie de Libanais de l’étranger, enfants
de la guerre, la réalisatrice se met en quête d’un « pays rêvé ».Un territoire
intérieur, fondateur et inaccessible comme l’enfance. Entre douceur et
massacre, chacun tente de se ressaisir de ce qui le construit. Pour conquérir
la liberté de réinventer son identité.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXhRjiT2QCiM35ZUNzE7UmAj9eCHlN80bd38glFI0r-xaXvfSxPe6REFoPsX7iOyq_kI1UWS0Rgjr-9YEiYUoB6u3YmoPIpFhIzPEnVw6jNqCu4K1_Bf_P6cp0QCIifFN2k88rjoTvqL4/s1600/Affiche+du+film+par+Wesley+Wilquin.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXhRjiT2QCiM35ZUNzE7UmAj9eCHlN80bd38glFI0r-xaXvfSxPe6REFoPsX7iOyq_kI1UWS0Rgjr-9YEiYUoB6u3YmoPIpFhIzPEnVw6jNqCu4K1_Bf_P6cp0QCIifFN2k88rjoTvqL4/s320/Affiche+du+film+par+Wesley+Wilquin.jpg" width="267" /></a><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;"> </span><b><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;"></span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Saudade<span> </span>de GHORAYEB YASMINE</span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Premier film -
Fiction</span></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">L'histoire se
déroule au Liban en 2003. Deux couples, deux destinées diamétralement opposées:
l'une s'élevant vers le haut, l'autre déclinant vers le bas.</span></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Taxi Beirut<span> </span>de ZACCAK HADY</span></b><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Documentaire</span></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">Beyrouth, la
ville du chaos et de la construction/ déconstruction est vue et vécue par 3 </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">chauffeurs de
taxi de différentes générations. Amal, Fadi et Fouad traversent la ville tout
en essayant de vendre, de lutter et de survivre…</span></span></div>
LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-92102320063947697722012-08-17T11:50:00.000+03:002012-08-17T14:43:11.117+03:00Al Hayat - 17 Aout<a href="http://alhayat.com/Details/427064"><br /><br />http://alhayat.com/Details/427064</a><br />
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<br />LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-1919624094709526112012-08-16T16:00:00.000+03:002012-08-16T16:00:11.642+03:00EVENEMENT : Rencontre et conférence avec Walid Aouni <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: large;"><b><span style="font-family: "Century Gothic","sans-serif";">Rencontre
avec Walid Aouni et conférence </span></b><b><span style="color: black; font-family: "Century Gothic","sans-serif";">"A l'ombre du corps, le mouvement
dans le cinéma" </span></b><b><span style="font-family: "Century Gothic","sans-serif";">avec le soutien de Jocelyne
Saab</span></b></span></div>
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<span style="font-size: large;"><b><span style="font-family: "Century Gothic","sans-serif";">Samedi
25 aout - 22h</span></b></span></div>
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<span style="font-size: large;"><b><span style="font-family: "Century Gothic","sans-serif";">METROPOLIS
EMPIRE SOFIL</span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Walid Aouni </span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNP-XXqyYKAtROjmkYPTkWkqzZx7aydzOcGZ6A-9Pol73sohAPD0HriRlE9aq0GiVh25m92JB3H-a6xsX-BOUHSv8c_4cuZG1EkyEwM1rDwHjAoQfIZr1mh04gf56o0T3Jfi01n-wbYjo/s1600/67(WalidAouni).jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNP-XXqyYKAtROjmkYPTkWkqzZx7aydzOcGZ6A-9Pol73sohAPD0HriRlE9aq0GiVh25m92JB3H-a6xsX-BOUHSv8c_4cuZG1EkyEwM1rDwHjAoQfIZr1mh04gf56o0T3Jfi01n-wbYjo/s400/67(WalidAouni).jpg" width="400" /></a><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">Walid Aouni a commencé sa carrière en Belgique au moment de l›émergence du
mouvement moderne de la danse théâtrale dans les années 80. Il fonde le «Tanit
Dance Theatre» à Bruxelles et le «Egyptian Modern Dance Theatre» à l›Opera du
Caire, où il présente plus de 25 spectacles, ainsi que le premier Festival
International du Théâtre de Danse Moderne en 1999. Aouni a reçu plusieurs prix
internationaux et hommages et a travaillé comme designer avec plusieurs
réalisateurs arabes comme Youssef Chahine, Inas El-Dighadi, Jocelyne Saab et
bien d›autres. </span><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Ce film est inspiré d›une de
ses pièces.</span></span></div>
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<span style="font-size: small;"><i><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Walid Aouni began his carrer in Belgium through the emergence of the modern
dance theatre movement in the 80›s. He founded the «Tanit Dance Theatre» in
Brussels and the Egyptian Modern Dance Theatre at Cairo Opera House, where he
presented more than 25 performances, and the First International Festival for
Modern Dance Theater in 1999. Aouni received several international awards and
tributes and worked as a designer with a number of Arab directors as Youssef
Chahine, Inas El-Dighadi, Jocelyne Saab and others. This film is based on one
of his plays.</span></i></span></div>
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<span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Projection « L’Histoire
du papillon vierge »</span></b></span></div>
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<br /></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">Zahra s’est secrètement enfuie du sud au Caire, croyant que son père a
assassiné son amant Metwalli. «Corsal», propriétaire du Casino au jardin
Al-Azbakia la découvre: elle devient alors la chanteuse la plus renommée de son
temps. Elle rencontre l›officier Anwar Ismail qui tombe amoureux d›elle, mais
elle est accusée d›espionnage pour l›Armée Britannique de même que d›avoir
assassiné le propriétaire du casino.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcFOKxD4vlqhW9YvQ-FPPU4pnS9kHHTt7e0k2jIzgHgk8sPllGCPkBku5IEARjhyTLcfAdM396hoHn5ZL_34FHJkH4LVe7E4FZ7RaQmwY5R96Mfefy0cI0JHey4cfKPUjwxvjFoVeBlGA/s1600/19868.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcFOKxD4vlqhW9YvQ-FPPU4pnS9kHHTt7e0k2jIzgHgk8sPllGCPkBku5IEARjhyTLcfAdM396hoHn5ZL_34FHJkH4LVe7E4FZ7RaQmwY5R96Mfefy0cI0JHey4cfKPUjwxvjFoVeBlGA/s320/19868.jpg" width="320" /></a><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
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<span style="font-size: small;"><i><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Zahra ran away secretly from south to Cairo behind her father›s back whom
she thought has killed her lover Metwalli. She is discovered by «Corsal»
Casino›s owner at Al-Azbakyia garden and becomes the super star singer of her
time. She meets officer Anwar Ismail who falls in love with her but she is
accused of being a spy for the British Army and assassinating the owner of the
casino.</span></i></span></div>
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<span style="font-size: large;"><b><span style="color: black; font-family: "Century Gothic","sans-serif"; line-height: 115%;">Conférence "A l'ombre du corps, le
mouvement dans le cinéma" </span></b></span></div>
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<span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">avec Walid Aouni, Caroline Hatem, Hady Zaccak</span></b></span></div>
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<br /></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">Walid Aouni<b> </b>(Danseur,
chorégraphe) évoquera « La danse dans le cinéma américain de même
que ses influences ». Le cinéaste Hady Zaccak brossera le tableau de
la danse dans le cinéma libanais, de même que la danse et le cinéma dans
le film musical arabe, plus particulièrement libanais, et enfin, Caroline
Hatem (comédienne, danseuse), nous présentera le rapport de Pina Bausch
aux cinéastes.</span></span></div>
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</div>
LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-13352053956357797912012-08-16T13:51:00.000+03:002012-08-17T16:12:23.870+03:00EVENT : SOIREE VIDEO CLIP<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOxzeivU76hoW8NGW6WDybeO-5bAD67bgn7j1Pgx9VT-rbVKlPcMzSVz4ESmrek_q1VOQmL0DbSxxxws6zD2Q8M8mUk-h5Tn0d8nqtitu-6t_6JLlU5dWD9pJ6G5Ae9hFP-OWUwTJjPBc/s1600/medbeirut.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div>
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<span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">EVENT :
LEBANESE BANDS VIDEO CLIP </span></b><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">SCREENING </span></b></span></div>
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<span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">FRIDAY 24 AUGUST - 12am</span></b></span></div>
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<span style="font-size: large;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">ART LOUNGE</span></b></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Adonis
- Daw L Baladiyyi </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Robert Cremona </span></span></div>
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<br /></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";"> </span></b></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Adonis
& Tina Yamout -Ma Kan Mafroud </span></b></span></div>
<div align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: right;">
<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Robert Cremona</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"><br /></span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></b></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuC0rQyrIUDKZ4I273wR6ipiXcS3L_1_OG8mQk7k6nUR0OkzWr5qOlC-LNu6gwq_FCKc3yLtKW6S7tip_1ShpuLDRoHfzlzC9LSfScUo_rtt2H5xR8ThfbkFheLFfxiLHhgRoFYeTVljg/s1600/adonis2.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuC0rQyrIUDKZ4I273wR6ipiXcS3L_1_OG8mQk7k6nUR0OkzWr5qOlC-LNu6gwq_FCKc3yLtKW6S7tip_1ShpuLDRoHfzlzC9LSfScUo_rtt2H5xR8ThfbkFheLFfxiLHhgRoFYeTVljg/s1600/adonis2.JPG" /></a></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></b></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Michelle & Noel Keserwany
- 3al Jamal bi wasat Beirut</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Rudy Bouchebel </span></span></div>
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<br /></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Mashrou' Leila -El
hal romancy </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Haig Papazian</span></span></div>
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</div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeT7_Jh8yxO_hqNm7sQUnTy8nR1geAAkJPwCMOZ4ZHhjKt6Md77bdQ7pKRKp8A0iKQYZ9Bosz-AH_GRKOr2Rt_uuhq5LrjOYP-ZmlPIKKXL74QNNz5xMQgvgi_dG2Cfjp3Nv2qQZGMpuM/s1600/Mashrou'+Leila+%281%29.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeT7_Jh8yxO_hqNm7sQUnTy8nR1geAAkJPwCMOZ4ZHhjKt6Md77bdQ7pKRKp8A0iKQYZ9Bosz-AH_GRKOr2Rt_uuhq5LrjOYP-ZmlPIKKXL74QNNz5xMQgvgi_dG2Cfjp3Nv2qQZGMpuM/s1600/Mashrou'+Leila+%281%29.JPG" /></a></div>
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<span style="font-size: small;"><b><span lang="DE" style="font-family: "Century Gothic","sans-serif";">Zeid Hamdan- Balekeh </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: </span><span lang="DE" style="font-family: "Century Gothic","sans-serif";">Zeid
Hamdan </span></span></div>
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkHpOzhqQxlSDiG3x0WNthc29HIdVsFFOOXD_jab30dGRpIA6e93bXFivqDMno-dJDT89sj8aAefeLn2wK7w6FiL2rlJU_p3BUXroPxpOLaGKclZT_CrF870bRVGnNX9LkO4e78o_h5ww/s1600/4.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkHpOzhqQxlSDiG3x0WNthc29HIdVsFFOOXD_jab30dGRpIA6e93bXFivqDMno-dJDT89sj8aAefeLn2wK7w6FiL2rlJU_p3BUXroPxpOLaGKclZT_CrF870bRVGnNX9LkO4e78o_h5ww/s1600/4.JPG" /></a><span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
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</div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Eileen
Khatchadourian -Karouna </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Fabrizio Rossetti</span></span></div>
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<br /></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbHplPW8X09Dks2RWliLNrECJ6UqVyvUcmYmsQQNahyphenhyphengAuPgmynoVIsX-63w42cXCEC1AQoJ5sPfxCoJQ2LeD43IIAEpAGnnwYWR_dXUYJ9oSXzl-GxLphuLZvr6UpBPRVcyqR3QRhcVA/s1600/5.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbHplPW8X09Dks2RWliLNrECJ6UqVyvUcmYmsQQNahyphenhyphengAuPgmynoVIsX-63w42cXCEC1AQoJ5sPfxCoJQ2LeD43IIAEpAGnnwYWR_dXUYJ9oSXzl-GxLphuLZvr6UpBPRVcyqR3QRhcVA/s1600/5.JPG" /></a></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Aziza -Fekra </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: </span><span style="font-family: "Century Gothic","sans-serif";">Rabih Haddad</span></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Sae Lis - The Way you Treat me </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Cyril Bassil </span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Anthony Touma - Just to see
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<span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Anthony Touma -Morning
Walk</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Nadim Hobeika</span></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Pindoll - Stop Me </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: </span><span style="font-family: "Century Gothic","sans-serif";">Fadi Kassem</span></span></div>
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<span style="font-size: small;"><b><span lang="DE" style="font-family: "Century Gothic","sans-serif";">Karimeh-Teaser # </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: </span><span lang="DE" style="font-family: "Century Gothic","sans-serif";">Karim Kneisser</span></span></div>
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<span style="font-size: small;"><b><span lang="DE" style="font-family: "Century Gothic","sans-serif";">Karim Kneisser -Wallahi
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: </span><span lang="DE" style="font-family: "Century Gothic","sans-serif";">Karim Kneisser </span></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Rayess Bek- La min?</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">"Eben Foulen
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> Directed by: Rayess Bek</span></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Fariq el Atrache + rappers - Traditions</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Merass Sadek </span></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">OHO - Alone In Kathmandu</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> Directed by: Rannjan Joawn</span></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Goldfish Parade - The Blues
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<span style="font-size: small;"><b><span lang="DE" style="font-family: "Century Gothic","sans-serif";">C Rouge- Black Garden</span></b><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> Directed by: Suzie Selman</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOLnsZEBTUHHxt51rXGbSfgjew7JR9NwludgVpw9EGzpnIglOnfAlJpBG_SqD6PBHBMa9ISA5zqKEReLlXFn3VRqSMze6lgqxLOx9C4j1UNRs5Wy6dTR9UP8RD076ORXz8P8VEBEQscHA/s1600/crouge.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOLnsZEBTUHHxt51rXGbSfgjew7JR9NwludgVpw9EGzpnIglOnfAlJpBG_SqD6PBHBMa9ISA5zqKEReLlXFn3VRqSMze6lgqxLOx9C4j1UNRs5Wy6dTR9UP8RD076ORXz8P8VEBEQscHA/s1600/crouge.JPG" /></a></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Meen the band - ntebih ya
batenjein</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Nayla Tawil and Mary Mrad </span></span></div>
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2tZVUONryeHJxuqN4Eg_7jW6aJEHQ8sCRawf-h5el28vks4s6XVxTnXigbPnjbdNn2b4Fi_GuUWcdg8GOoVodDSBBuQiQSQ8Kl6g-KGIq_8R72phN86uG2kiOrJB4JwoW3efLXKFGvys/s1600/r.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2tZVUONryeHJxuqN4Eg_7jW6aJEHQ8sCRawf-h5el28vks4s6XVxTnXigbPnjbdNn2b4Fi_GuUWcdg8GOoVodDSBBuQiQSQ8Kl6g-KGIq_8R72phN86uG2kiOrJB4JwoW3efLXKFGvys/s1600/r.JPG" /></a></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">The Kordz - Last
Call </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Nabil Mehchi </span></span></div>
<div align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: right;">
<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"><br /></span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJXdEq5usyVWdNSW_W7TUy4bZHxB6Gt8SaCND47q64eUMvWZpOCPXWqMk-OH457uhigYD6NVntnHEgJrSDm46HnOJbW5VwBNAXRIB1ESpe7lhbjNS4PIJoCsnGJMTcbd7j3qTeXP7Af88/s1600/kordz.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJXdEq5usyVWdNSW_W7TUy4bZHxB6Gt8SaCND47q64eUMvWZpOCPXWqMk-OH457uhigYD6NVntnHEgJrSDm46HnOJbW5VwBNAXRIB1ESpe7lhbjNS4PIJoCsnGJMTcbd7j3qTeXP7Af88/s1600/kordz.JPG" /></a></div>
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<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;">
<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Natacha Kozaily -Messages</span></b></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;">
<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Bilko Cuervo</span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"><span lang="DE"> </span><a href="http://youtu.be/fedtCWc-ksE"><span lang="DE"> </span></a></span><span lang="DE" style="font-family: "Century Gothic","sans-serif";"></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<span style="font-size: small;"><b><span lang="DE" style="font-family: "Century Gothic","sans-serif";"> </span></b></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6Fm6hVpQ7ncwLrbcJ7qwg0ldehQOlxjXBAdI20hpY2WjUFRIp7zFlLM-7XbzWJ3Rgemi4fLNW97ldhEdjawjYcXdE2MpLvScfJfcrH3ZCPgMpI8tU4lStUbzmDUUgjsNl9sgTJbSQqM/s1600/nat.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6Fm6hVpQ7ncwLrbcJ7qwg0ldehQOlxjXBAdI20hpY2WjUFRIp7zFlLM-7XbzWJ3Rgemi4fLNW97ldhEdjawjYcXdE2MpLvScfJfcrH3ZCPgMpI8tU4lStUbzmDUUgjsNl9sgTJbSQqM/s1600/nat.JPG" /> </a></div>
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<br /></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Sandmoon
- Solitude</span></b></span></div>
<div align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: right;">
<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: </span><span style="font-family: "Century Gothic","sans-serif";">Sandra Arslanian</span></span></div>
<div align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: right;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHlXF41zVRRTDly_zPYoodE3E1cW0Chyr1OHAMSFyJ8dlrizFX2RoBYHXVCZyBJOLVqG7S1-l1T5u3oZ73LPNlp7lEJQr6RMtlmgymu5UvZrm0nCLPgS9UJ3VWkW_EEpaKGi4lNsqs3jI/s1600/sandmoon.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHlXF41zVRRTDly_zPYoodE3E1cW0Chyr1OHAMSFyJ8dlrizFX2RoBYHXVCZyBJOLVqG7S1-l1T5u3oZ73LPNlp7lEJQr6RMtlmgymu5UvZrm0nCLPgS9UJ3VWkW_EEpaKGi4lNsqs3jI/s1600/sandmoon.JPG" /></a><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
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<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Ramcess L'Hamorabi - El Madineh</span></b></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;">
<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Tony h. Khoury </span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"><br /></span></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJEn9LbBEt5HVK7bVipGFf5VJG5UvYBo2Z_JsvxqIlxI88DAuUBfSuVYYfvxZkilSKWIKM8EqIpUPx8FY83QefAPUS2EvMdwkenqsAofjnp8X71j2pzGwlCoEEy4kZfCxJwoK_PudNUfk/s1600/ramcess.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJEn9LbBEt5HVK7bVipGFf5VJG5UvYBo2Z_JsvxqIlxI88DAuUBfSuVYYfvxZkilSKWIKM8EqIpUPx8FY83QefAPUS2EvMdwkenqsAofjnp8X71j2pzGwlCoEEy4kZfCxJwoK_PudNUfk/s1600/ramcess.JPG" /></a></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Ashekman - Yareit</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Ashekman</span></span></div>
<div align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: right;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7xB7eMykgIHav5l6UULl6AVaPnntFbB2OGAuSbJeYNm2COXtux8KdD7avphwQ6ZVUnLhivqq0Xagyq_jrx7jVBv7mpvYHIJMu6G1pfMk1aIn8-GSavuXpltUPcVk_22iT8plJ7OW69o0/s1600/ashekman.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7xB7eMykgIHav5l6UULl6AVaPnntFbB2OGAuSbJeYNm2COXtux8KdD7avphwQ6ZVUnLhivqq0Xagyq_jrx7jVBv7mpvYHIJMu6G1pfMk1aIn8-GSavuXpltUPcVk_22iT8plJ7OW69o0/s1600/ashekman.JPG" /></a><span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;">
<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Safar Barlik - Jabal </span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhalPCLAH0tSkkpyoG2jlSi0DTB5OfG4AACIEoJ23Zlr02GIo00tkXzwuNoABvlq_HjcYnJ61kHsL4L8H7efijOzoW0TRPl2hVvRE7rnQTokM6R7C97dUlW9Ecg6jd-w_a3JfxbeGaa1zk/s1600/jabal.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhalPCLAH0tSkkpyoG2jlSi0DTB5OfG4AACIEoJ23Zlr02GIo00tkXzwuNoABvlq_HjcYnJ61kHsL4L8H7efijOzoW0TRPl2hVvRE7rnQTokM6R7C97dUlW9Ecg6jd-w_a3JfxbeGaa1zk/s1600/jabal.JPG" /></a></div>
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<br /></div>
<div align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: right;">
<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Mike Massy - Khalasna Ba'a</span></b></span></div>
<div align="right" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: right;">
<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Tanya nasr</span></span></div>
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg05NmtCZ6XRbQNXOaRveP98R-j5KDBenbG2iyMXL1AnrwTJmOWWR9rb5pA3HGC65FV_UgqnGDwbs0iW2UJrb4iGjgYmTtMb2unXBI0V5MhnMN8YeOCspOMamLecfidv9MfZCnrurP6e40/s1600/mikemassy.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg05NmtCZ6XRbQNXOaRveP98R-j5KDBenbG2iyMXL1AnrwTJmOWWR9rb5pA3HGC65FV_UgqnGDwbs0iW2UJrb4iGjgYmTtMb2unXBI0V5MhnMN8YeOCspOMamLecfidv9MfZCnrurP6e40/s1600/mikemassy.JPG" /> </a></div>
<div style="text-align: center;">
</div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Mike Massy - Law fiyyi tir</span></b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: left;">
<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Tanya nasr </span></span></div>
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<br /></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Tarek
Yamani- Ashur</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Naji El Mir</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidQOta7LYlxokZOZpG4e1QQ7GP3b73W2KxEuBcT4DMrSFxt0zEORvf2W4qJ047-uNnxuCGKWjFypnSbMPMwKakEoszfO4_1EbfTgDYv0IhCa3cISf-GpgfruwhZCkTJleuBZB6AzrGEV8/s1600/khouri.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></span><br />
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Wanton Bishops- Whoopy </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Roy Jamhouri </span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Wanton Bishops - Bad
Rhyme</span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
by: Roy Jamhouri</span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt;">
<br /></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk9YY8CyE49Xab0ekFRYbNrCMZLydk1py0NZ7REt7wKKJL0_dNGnQERYZ0R2jacUcscr6paOjD58bvEzdKTHF85zhVHYhdA6GbBnFWB4E3l03XEy4ptzWBKwgj2cwaQaJ5t4KWtZKiV9c/s1600/whop2.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk9YY8CyE49Xab0ekFRYbNrCMZLydk1py0NZ7REt7wKKJL0_dNGnQERYZ0R2jacUcscr6paOjD58bvEzdKTHF85zhVHYhdA6GbBnFWB4E3l03XEy4ptzWBKwgj2cwaQaJ5t4KWtZKiV9c/s1600/whop2.JPG" /></a><span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"> </span></b></span></div>
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Nadine Khoury -Rouge </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed
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<span style="font-size: small;"><b><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Kimaera - The Taste of
Treason </span></b></span></div>
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<span style="font-size: small;"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Directed by Sam Andraos</span></span></div>
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-59709787243634910562012-08-16T11:23:00.000+03:002012-08-16T11:43:52.664+03:00LFF2012 - Interview de Pascale Abou Jamra<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">SELECTION- “Derrière moi les
oliviers"<br />
Premier Film - Fiction (voir article <a href="http://lebanesefilmfestival.blogspot.com/2012/07/lff-2012-competition-partie-1.html">LFF
2012 - COMPÉTITION (Partie 1/4)</a> )</span></b></span></div>
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<b>Ton premier film traite des répercussions de l’implication d’un père de
famille en tant qu’agent de l’armée de « Lahd »<span style="font-size: large;">* </span>sur ces deux enfants. Quelles
sont les raisons qui t’ont décidées de parler de ce sujet ?</b></span></i></span></div>
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Je suis du sud du Liban. Ainsi, je souhaitais parler d’un fait réel, qui touche
cette région-là. En commençant mes recherches, j’ai fait le constat que le cas
des familles de Lahd est tabou et peu discuté. La position adoptée par la
génération des parents est retransmise aux enfants et ainsi les enfants à leur
tour jugent et considèrent ces personnes comme des traitres. Dans mon
film par exemple, Georges, le frère de Mariam, souffre des insultes de ses
camarades de classe envers lui.<span style="color: red;"> </span>De nombreuses familles sont touchées et
ne sont pas traitées de façon normale : elles ne sont pas bien
intégrées voire rejetées par certains citoyens libanais. J’ai vécu avec
eux et ai été témoin de leurs problèmes. Malheureusement, il y a même des
familles qui pensent retourner en Israël parce qu’elles sont rejetées dans leurs
propres pays. Tout cela m’a poussé à prendre l’engagement de les supporter à
travers un film.</span></span></div>
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<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG04wJ1jMPiCaBgdDbeL1iYlkQxiremQEIYWWmUlE3O-2tI6L_kPUE3LrJp1etLdhwLhBn9X8ryPR7bqJML58j2EpBdd18vORWI31nwOoRwheMdEHh8uRTQlUCg4Uz0uafFt0WuHHUb7U/s1600/paboujamra+%282%29.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG04wJ1jMPiCaBgdDbeL1iYlkQxiremQEIYWWmUlE3O-2tI6L_kPUE3LrJp1etLdhwLhBn9X8ryPR7bqJML58j2EpBdd18vORWI31nwOoRwheMdEHh8uRTQlUCg4Uz0uafFt0WuHHUb7U/s320/paboujamra+%282%29.JPG" width="213" /></a></span><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;"> </span></span></div>
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<span style="font-size: small;"><b><i><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Tu as effectué un vrai travail de
recherche sur le terrain, pourquoi avoir choisi de faire une fiction et non un
documentaire ?</span></i></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">En fait, l’idée première était bien de faire un
documentaire. Ce projet de film a commencé il y a deux ans.<span style="color: red;"> </span>En effet, le film est initialement basé sur une
histoire réelle. Cependant, lorsque le personnage principal n’était pas prêt à se
confier pleinement à moi, j’ai décidé d’adapter son histoire et d’en faire une
fiction. Elle a eu peur de mon projet de film et est encore très effrayée de
raconter son histoire. Elle craint d’avoir des problèmes ou qu’il y ait
une polémique… Cela m’a incité moi-même à plus de prudence dans ma façon de
traiter ce sujet; de l’aborder ni de manière trop politique ou trop légère. De
plus, je lui ai promis que ce film n’allait pas la toucher. J’espère tout de
même que ce film pourrait d’une façon ou d’une autre aider cette fille. Le fait
d’en parler et d’amener le public à réfléchir sur cette problématique est déjà
un bon début. En général, je suis passionnée de documentaires. J’ai déjà travaillé
pour Al-Jazeera auparavant, fait quelques documentaires et puis sinon des
fictions courtes lors de mes études. Mais je m’oriente vers le documentaire et
le grand écran. </span></span></div>
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<span style="font-size: small;"><b><i><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Considérant
la sensibilité du sujet, de l’écriture du script jusqu’au tournage as-tu fait
face à des difficultés pour réaliser le film que tu désirais ?</span></i></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Il est vrai que le sujet de mon film est
délicat. J’ai effectué de l’autocensure
dans ma façon d’écrire, car je ne voulais pas créer de polémique. Je traite de
l’aspect social et non politique de ce sujet. Je ne parle pas des gens qui ont
été intégré à Lahd, mais des enfants. Cela a facilité la demande de permis
auprès de la sécurité nationale, de
l’UNIFIL, du Hezbollah, de l’armée.</span></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">La difficulté était la
responsabilité d’une grande équipe alors que nous étions en train de tourner
près de la frontière…c’était tendu. Mais heureusement l’armée et l’UNIFIL étaient
toujours présentes lorsque de l’autre côté des chars israéliens passaient
régulièrement pour voir ce qu’il se passait. C’était une grande aventure pour
toute l’équipe ! </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Mais j’ai aussi eu beaucoup de difficultés à
trouver une actrice qui veuille bien jouer ce rôle. Surtout que je cherchais
une fille du sud et d’autant plus jeune. Cela implique donc également l’obtention
de l’autorisation des parents. Ainsi, j’ai décidé de jouer ce rôle. Aucun
problème supplémentaire, car je prenais moi-même la responsabilité. Et étant
proche de tous les acteurs, je pensais que ça allait être utile pour la
direction. Une vraie atmosphère de famille s’est créé lors du tournage, qui
réunissait autant des personnes âgés que Charbel - le jeune garçon qui
interprète son propre rôle dans le film. De vrais liens se sont établis. On a filmé dans ma maison, avec ma famille et
on a vécu là-bas. Chaque nuit après le tournage, il y avait une réunion, on
faisait la fête. En fait, toute l’équipe était heureuse et le village était
très accueillant, c’était un véritable évènement ! </span></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Je suis excitée de
voir le film avec l’équipe, les acteurs et ma famille qui n’ont pas encore vu
le film fini sur grand écran.</span></span></div>
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<span style="font-size: small;"><b><i><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Quels ont été
tes sentiments en interprétant ce rôle ? </span></i></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">J’ai ressenti un vrai sentiment de révolte, de
révolution… et pas seulement pendant le tournage. Aussi pendant mon travail de
recherche et lors de l’écriture du script. J’ai pu rencontrer bien plus de
personnes que je n’imaginais. Des personnes qui ne parlaient pas de ce sujet et
qui sont venues vers moi pour m’aider quand elles ont su que je traitais ce sujet.
J’ai profondément envie de faire quelque chose pour cette jeune femme, qu’on
aborde ce sujet et que ces personnes soient intégrées. </span></span></div>
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<span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;"> <b>As-tu présenté ton film dans
les villages au sud ? </b></span></i></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Pas encore…Tout est passé très
vite : la projection à l’Alba, puis Cannes… C’est la première fois
qu’il est projeté au Liban. Mais j’envisage de le projeter là-bas suivi
éventuellement par une discussion.</span></span></div>
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<span style="font-size: small;"><b><i><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Raconte-nous
ton expérience à Cannes, ta sélection pour le programme Cinéfondation et
surtout en compétition…</span></i></b></span></div>
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<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyJcZalrV4B6K-LzxdVgAHw1xVu9_NCBAWf9y-XU4lUhoRF_kA2IpXH9wUEvUyQ8Xmm3h3puN-jL0UHHDZ-Ee2bgrlHZ0PRfVO51z9K2lbIWG4TdYNvDTeqlEkTeIJs3UkhD63uZt7x2I/s1600/paboujamra.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyJcZalrV4B6K-LzxdVgAHw1xVu9_NCBAWf9y-XU4lUhoRF_kA2IpXH9wUEvUyQ8Xmm3h3puN-jL0UHHDZ-Ee2bgrlHZ0PRfVO51z9K2lbIWG4TdYNvDTeqlEkTeIJs3UkhD63uZt7x2I/s320/paboujamra.jpg" width="320" /></a></span><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Cannes a ouvert des portes pour le film. Il est actuellement
sélectionné pour d’autres festivals, notamment pour le Festival International
de Dubai en décembre prochain et aussi en Italie, en Australie, Turquie,… Cette
expérience a été très touchante. Cannes était la première. Je voyais pour la
première fois mon film sur un grand écran et cela devant un Grand jury
international. Les retours étaient très positifs et il y a même des personnes qui
ont pleuré à la fin du film. Ces personnes étaient pour certains des
libanais. Là-bas, je me suis rendue compte que le sujet ne touchait pas
seulement moi, mais aussi d’autres et des internationaux. Parmi les
réalisateurs qui présentaient leurs films, une réalisatrice était d’Israël. Même
elle a été touchée par le film. Nous n’avons pas discuté mais j’ai su qu’elle
attendait avec impatience de voir le film. Nous sommes de deux pays ennemi entre
lesquels il existe un problème politique beaucoup plus grand que moi et elle, et
on ne peut pas briser ce mur là. Mais, je pense avoir parlé avec cette personne
à travers mon film.</span></span></div>
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<span style="font-size: small;"><b><i><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Quels sont
tes projets d’avenir après cette année riche en émotion et succès ? </span></i></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">En ce moment, je vis et travaille au Qatar. Mais
dans le futur je souhaiterais tourner ici au Liban. Pour l’instant, il me faut sortir un peu,
voir les choses d’un point de vue extérieur, éloigné. Cela est utile pour
analyser les choses d’une autre façon, </span></span><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">ça t’enrichit et t’aide beaucoup: d</span></span><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">e connaitre le point de vue des étrangers par
rapport au Liban par exemple, par rapport à la situation libanaise et ses problèmes
politiques et sociaux.</span></span></div>
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<span style="font-size: small;"><b><i><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Finalement,
quelle est ta vision concernant le cinéma libanais pour les prochaines
années ?</span></i></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif"; line-height: 115%;">Déjà ces dernières années il a fait beaucoup de
progrès. Ça te pousse beaucoup plus et surtout à y croire. Je pense que dans
quelques années, le cinéma libanais va marquer le cinéma international.
Il y a beaucoup de sujets qu’il peut aborder…et on ne manque pas de talents. Ce
qui bloque c’est malheureusement la censure. Parfois, ce sont aussi les
réalisateurs qui ont peur de traiter certains sujets. </span></span></div>
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<span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";">*L’armée
de « Lahd » ou Armée du Liban Sud (ALS), du nom du général Antoine Lahd, était
une milice alliée à l’armée israélienne jusqu’à la libération du sud du Liban
en 2000.</span></i></span></div>
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<span style="font-size: small;"><span class="hps"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Aout 2012</span></span><br /><span class="hps"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></span>
<span class="hps"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";"></span></span><span class="hps"><span lang="EN-US" style="font-family: "Century Gothic","sans-serif";">Interview réalisé par Lucile Gasber</span></span></span></div>
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-2225065951207478182012-08-16T10:35:00.001+03:002012-08-16T10:40:58.209+03:00Programme complet<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-size: large;"><b>FR</b></span><br />
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<b><span style="font-size: large;">ENG</span></b><br />
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-3947837191196771542012-08-16T10:23:00.002+03:002012-08-16T10:23:37.750+03:00RENEE AWIT<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "Century Gothic","sans-serif";">Réalisatrice
libanaise notamment de <b>“Au milieu des Autres” </b></span></div>
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<b><span style="font-family: "Century Gothic","sans-serif";">“Meilleur
premier film” édition 2010 du festival</span></b></div>
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<span style="font-family: "Century Gothic","sans-serif";">Ci-dessous une interview avec <b>Renée Awit </b>réalisée au Festival de Cannes cette
année </span></div>
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-26399313846039532462012-08-15T14:14:00.000+03:002012-08-15T14:14:05.270+03:00ELIE KHALIFE<div dir="ltr" style="text-align: left;" trbidi="on">
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<span lang="EN-US" style="font-family: "Century Gothic","sans-serif"; mso-ansi-language: EN-US;">Elie Khalife studied cinema at l'École supérieure
d'art visuel in Geneva (ESAV-HEAD). He wrote and co-directed with Alexandre
Monnier two multi-award winning short films, Taxi Service (1996), Merci Natex
(1998), and a feature film Yanoosak (2010). He produced and directed Van
Express (2004) and a personal documentary Love & Cigarettes (2006). Elie
Khalife is also the owner of the production house Taxi Films. He teaches
filmmaking in many Lebanese Universities such as (USEK) and (ALBA) and follows
up on graduation projects and many cinema workshops.</span></div>
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-3966353606800858302012-08-15T10:30:00.000+03:002012-08-15T10:30:06.227+03:00LFF 2012 – HORS COMPETITION ( Partie 3/3)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">ET voici les fictions hors-compétition cette année…</span><span style="font-family: "Times New Roman","serif";"></span></span></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Checkpoint d’ AMAR RUBEN</span></b></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh7Sg9ilrRspWKsh9x3Pt3gvMHfOxT6s41Pyn65lSUMoebZGFNvK63zQ5PvB6B3Dd5OPmtuqUlqNiJQ3KATGFC3HmCMbsrCTOeEvJg8EPUtkR6Ftg-L3R1OanQi4O5OFYmqzE8KQTirA4/s1600/ruben+pic+2.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh7Sg9ilrRspWKsh9x3Pt3gvMHfOxT6s41Pyn65lSUMoebZGFNvK63zQ5PvB6B3Dd5OPmtuqUlqNiJQ3KATGFC3HmCMbsrCTOeEvJg8EPUtkR6Ftg-L3R1OanQi4O5OFYmqzE8KQTirA4/s320/ruben+pic+2.jpg" width="214" /></a><span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";"> </span></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">Suleiman, un jeune palestinien de onze ans, vit dans
un petit village de la bande de Gaza. Comme tous les mois, il accompagne
son père sur les ruines d'un village détruit. Bien qu’il ne comprenne pas
l’étrange rituel auquel se livre ce dernier, Suleiman se sent le devoir d’aider
son père… </span></span><span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";"> </span></i></span></div>
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<span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";">Ruben Amar est un réalisateur plusieurs fois primé et
scénariste de six courts métrages tournés à Londres, New York, Paris et Tel
Aviv. Ses films ont été projetés dans plus de 50 festivals de films
internationaux.</span></i><span style="font-family: "Times New Roman","serif";"></span></span></div>
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<object class="BLOGGER-youtube-video" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" data-thumbnail-src="http://2.gvt0.com/vi/jo5FQv_SHW4/0.jpg" height="266" width="320"><param name="movie" value="http://www.youtube.com/v/jo5FQv_SHW4&fs=1&source=uds" /><param name="bgcolor" value="#FFFFFF" /><param name="allowFullScreen" value="true" /><embed width="320" height="266" src="http://www.youtube.com/v/jo5FQv_SHW4&fs=1&source=uds" type="application/x-shockwave-flash" allowfullscreen="true"></embed></object></div>
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<span style="font-size: small;"><b><span style="font-family: "Century Gothic","sans-serif";">Une journée en 59 de TABET NADI</span></b></span></div>
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<span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">Le Liban en 1959. Un couple de bourgeois et une amie
partent faire un pique-nique au bord d’une rivière. Sur le chemin, ils prennent
un ouvrier en auto-stop…</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUyEhbvPzU87F2TRXg5wrBLAJDHZeyzzXhEQbShTmSEt7OAbJKnpJ8bI9VhCZe5VvvcEeNUSyFiJULf5PDy_lqP2Oous-L5XmY3UaM_MS4LAfHBL_AhdzsIsiwtMgSPElgOUPjs7H_0oc/s1600/NadimTabet.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUyEhbvPzU87F2TRXg5wrBLAJDHZeyzzXhEQbShTmSEt7OAbJKnpJ8bI9VhCZe5VvvcEeNUSyFiJULf5PDy_lqP2Oous-L5XmY3UaM_MS4LAfHBL_AhdzsIsiwtMgSPElgOUPjs7H_0oc/s1600/NadimTabet.jpg" /></a><span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";"> </span></i></span></div>
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<span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";">Nadim Tabet s’intéresse dès l’adolescence au
cinéma, d’abord en regardant beaucoup de film puis en tournant des petites
fictions en vidéo. </span></i><span style="font-family: "Times New Roman","serif";"></span></span></div>
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<span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";">En 1999, il part en France poursuivre des études
d’Histoire,</span></i></span><span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";"> de philosophie et de cinéma. Parallèlement à ses études, il réalise
plusieurs courts-métrages et essais cinématographiques en super 8 et H.D. </span></i><span style="font-family: "Times New Roman","serif";"></span></span></div>
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<span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";">En 2001, Nadim Tabet est membre fondateur du FESTIVAL
DU FILM LIBANAIS. Et depuis 2011, il est sélectionneur de film pour le festival
d’Oberhausen en Allemagne.</span></i><span style="font-family: "Times New Roman","serif";"></span></span></div>
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<span style="font-size: small;"><i><span style="font-family: "Century Gothic","sans-serif";">Actuellement, il prépare son premier long
métrage : « Un Concert ».</span></i><span style="font-family: "Times New Roman","serif";"></span></span></div>
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0tag:blogger.com,1999:blog-2993416030740505361.post-47659407419060237682012-08-14T14:18:00.003+03:002012-08-14T14:23:26.265+03:00" Le festival du film libanais fait peau neuve" L'orient - Le Jour<div dir="ltr" style="text-align: left;" trbidi="on">
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<i><b><span style="font-size: small;"><span style="font-family: "Century Gothic","sans-serif";">"Pendant
quatre jours donc, cinéastes, cinéphiles; et professionnels du métier sont
réunis autour d'une même envie, celle de faire du cinéma libanais une véritable
industrie florissante; de hisser son identité et faciliter son rayonnement à
l'étranger."</span></span></b></i></div>
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LFFhttp://www.blogger.com/profile/11813545277825949692noreply@blogger.com0